Hearth and Candles

 

Holiday Essentials:

Nature, Color and Candles

 

Last month, Linda talked about bringing the outdoors in for your Thanksgiving table. For many of us, December is not too late to go shopping in our backyards for Christmas, too. It doesn't cost anything, and spending time in nature is always invigorating.

 

To decorate her holiday fireplace, Linda cut pyracantha and pittosporum berries and their leaves from her garden and wove them through an antique wrought iron sconce above the fireplace. She layered hydrangea leaves that had turned red and green around the berries, and finished by placing Appleglow candles among the foliage, some set on bricks for added height.

 

Golden Gate Fireplace Sconce with Berries

Linda dressed the antique wrought iron sconce above her fireplace for the holidays with red pyracantha ("Firethorn") berries, orange pittosporum ("Mock Orange") berries, and their foliage. The red and orange berries and apricot walls are complemented by the green foliage, and the neutral wrought iron grounds the palette.


 

Our Old Friend the Color Wheel

Colors next to each other on the color wheel are called analogous colors. Analogous colors look good together because they are related to each other by the primary color they share. Red, orange and apricot work together because they all contain red. Complementary colors are opposite each other on the color wheel. Use them to create contrast in your palette and make it pop. Neutral colors such as gray and brown are not on the color wheel. Use neutrals to ground your colors and add depth to your palette. If you have any doubt about what colors to use together, go outside and look at how nature does it. Red and orange berries are set off by green foliage and grounded with brown branches. Perfect!

Appleglow Candles in Fireplace
Linda's red and orange brick fireplace is transformed into a holiday tableau with "Mock Orange" and red "Firestorm" berries, red and green hydrangea leaves, and lots of Appleglow candles. The colorful palette is grounded with the copper apron at the top of the fireplace opening and the antique wrought iron andirons.

Use Your Fireplace

If you are lucky enough to have a fireplace that works, use it this holiday season. Nothing is more inviting than a crackling fire, and the glow from firelight flatters everything and everyone. But if you have a fireplace and can't light it, you can get the same effect with candles, as shown in the photograph. Linda used her Appleglow candles in all six colors (Ginger Glow, Crimson Glow, Verde Glow, Sea Glow and Golden Glow) to light her holiday  arrangement of berries and leaves.

 

Linda's fluted Appleglow candles are available in six colors and sizes in our online store. Order soon for delivery before Christmas!


Musical Colors

For her recent presentation at Stroheim & Romann's showroom in the San Francisco Design Center titled "Don't Be Afraid of Color," Linda paired quotes from artists with some of Stroheim's exciting new fabrics. In the slide at left, Picasso's question could have been inspired by the boldly striped "Bellaria" fabric behind it. Why do these two colors sing? Perhaps because they are analogous to each other on the color wheel. (Fabric by JAB available through Stroheim.)


Golden Gate Arch

 Oranges, golds, and reds create warmth in this colorful room while an array of soft greens cool the space. Legs on the chair and ottoman, the coffee table, and picture frames ground the vibrant palette with a variety of wood tones.


 

       Su Casa     

 

The title of Linda's latest column for Su Casa magazine, Fear No Color, is also her mantra. We hear from so many people who are afraid of using color because they don't want to get it wrong, but you can do it with the help of a few basic principles. Read on for a sneak preview...

 

fear

no

color

 

By Linda Applewhite

Photography by Claudio Santini

Excerpted from Su Casa, Winter 2008

 

During my time in New Mexico, I have noticed many homes with white or brown kitchens and baths, white walls, dark wooden floors, chocolate-stained vigas, and earth-toned tiles. Homeowners across the country and even professionals in the design industry can be reluctant to use color, but I was surprised that houses surrounded by such exquisite color and light from their high desert backdrop often contain so little color inside. When I asked locals what prompts this brown and white color scheme, I was told repeatedly: tradition—a reflection of New Mexico’s history and geographic presence as part of the West.

In remodeling my 1930s adobe on Santa Fe’s historic eastside, I decided to break with tradition and celebrate color. I often take my cues from nature, and it doesn’t get any better than New Mexico’s abundant colors. The stunning sunsets inspired me to bring the outside in, reflect the beauty of the high desert vistas, and make my home feel good. ♦

The above is an excerpt from Linda's latest column, "Living in Beauty," in the Winter issue of Su Casa magazine. The entire article will be available on Su Casa's website and at lindaapplewhite.com on December 12, and on newsstands December 22.



We wish all of our friends a vibrant and
colorful
holiday season filled with warmth, light, laughter and joy.
 And don't forget to count your blessings!
We certainly count you among ours.

Linda, Janine, Pat E, Laurie, Shawn, Ellie, Pat W,
Jackie, Seth, Marshall and my pal Joey